Outside the Church, Kimpton

8x10" acrylic on canvas board, $65. Available here

I thought I'd uploaded this already but apparently not, so here it is! For the past two years, I've exhibited work at the Kimpton Art Show. Kimpton itself is a very nice town, with lots of lovely architecture and greenery, and little back lanes which twist and turn behind the houses. This is the lane which leads up to the church - the bunting seen here is the typical store-bought stuff, but further up there is hand-knitted bunting, which I've not seen before! I thought it was quite a nice touch. I wish I'd taken more photos of the town; maybe next year!

Crossing the Meadow

6x8" oil on canvas board. $45. Available here

Another May plein air, this one in a different meadow near home! I was determined to try and capture the warmth of the day. But that warmth meant I had to work quite quickly, because I was becoming exhausted from sitting in the sun!

The windows were easily the hardest detail to get right; I think I had to wipe them and re-paint a few times. I've found a better technique for doing windows now, which you'll see in a newer painting I'll upload soon. In the mean time, though, I'm satisfied with how they came out here.

I also challenged myself to add a figure, one of those things I rarely do - but whenever I do, people tell me I should do it more! So it must work out all right. I hope it did this time.(Also, again with the bright buttercups - I love when they're in bloom and I'm so glad I caught them in some paintings this year!)

A Return to the Meadow

6x8" oil on canvas board, $45. Available here

Here's a plein air sketch I completed in late May. It was a lovely warm day, so I went to one of my favourite painting spots. I like returning to the same view each year, to see how differently I approach it this time around. I seem to be going a month earlier each time, though! The original was August 2016, and then I returned in June 2017.

I was very lucky when I arrived; there was a pleasantly shady spot on the path, and the grass was full of colour! There were big swathes of beautiful yellow buttercups catching the sun, and the little shed at the end of the meadow was cast mostly in shadow. The painting came together quite quickly, and I had a lot of fun working on it! It's interesting how it seems to combine the bolder and more confident brushwork of the August piece with the brighter colours of the June one. And how I've shifted the shed to the left this time around.

Coloured Glass Challenge

6x6" oil on canvas board. $40. Available here

For this week's challenge. I love coloured glass, the way the light shines through it and you get a combination of reflections and highlights. I realised as I was painting that you can see the lightbulb's shadow through the lightbulb itself!

This is still drying; I'm uploading it now (11 April) so I can submit it to the challenge but please bear in mind it will need additional drying time before it can be shipped.

Gospel Oak

6x6" oil on canvas board. $40. Available here

I'm finally starting to feel up to painting city scenes again! I went through a bit of a block for a while, and they just weren't working out - but I'm hoping that's clearing up now. The other night I was feeling brave and decided to do a painting from a photo taken in London last summer. The composition made me a little nervous - the railings, the placement of bridges - I was worried they'd confuse the focus. But I stuck with my instincts and painted the scene anyway, and I'm actually really pleased with how it came out!

Hello Avocado

6x6" oil on canvas board. $40. Available here

...I haven't tried painting you before! In fact, I'm managing quite a few painting 'firsts' lately, which is fun. I went for a much cooler colour palette here, to contrast all the reds and warm purples I've been doing lately, but I tried to keep things bright and cheerful; I'm pretty pleased with how it came out. 

Beetroot and Blood Orange

6x6" oil on canvas board. $40. Available here

It's not often I get to do it, but I love using all three secondary colours in a painting! But on this occasion, I had just the subject matter; the blood orange, which I was eager to paint again, and beetroot. The leaves were an interesting challenge; I found myself treating them in an almost abstract way while blocking in the lighter and darker areas.